If you stand alongside the Glenridge Bridge long enough, watching the massive freighters slowly navigate the Welland Canal, a very specific intrusive thought begins to creep into your mind. The water below looks cold, murky and incredibly inviting — not for a swim, but as a permanent resting place for the six-inch rectangle of glass currently burning a hole in your pocket.
The influx of online content focused on “wellness” endeavours — such as physical fitness routines, developing anti-aging regimens and pushing supposed health-improving products — is not only indicative of the ever-growing relationship between social media and consumerism; it also demonstrates the relationship between social media, consumption and our cultural shift to the right.
On Oct. 19, Alberta voters decided whether to hold a formal referendum gauging the public’s interest in separating from Canada as the province’s separatist movement continues to grow amidst long-standing tensions with the federal government.
If you are familiar with Nathan Fielder, you’re familiar with the absurdity that usually defines his comedic style. His deadpan humour paired with flamboyant characters and increasingly ridiculous situations often makes for some of the most uniquely uncomfortable and hilarious television.
The varying controversies of Sydney Sweeney are almost laughable, as if someone was satirizing an alternate version of her life, or her character, Cassie, in Euphoria.
Donald Trump faced two new lawsuits in the span of three days, as a U.S. food importer challenged his 50 per cent tariff on Canadian goods and a shareholder of Circle Internet Group accused the president of illegally profiting from foreign investments.
The Brock Badgers men’s hockey team is starting to build momentum early in the season, earning a spot in the U SPORTS top 10 rankings after a strong weekend on the road.
The fact that Shane Gillis felt comfortable enough testing out some misogynistic material on Saturday Night Live tells us more about our sexist culture rather than Gillis’ poor taste in comedy.
The varying controversies of Sydney Sweeney are almost laughable, as if someone was satirizing an alternate version of her life, or her character, Cassie, in Euphoria.
Almost every Brock student shares a universal, humbling rite of passage: wandering aimlessly through the concrete hallways of Mackenzie Chown, realizing that you are going to be 15 minutes late for your very first seminar.
